I doodled this out a few days ago.
It knew it was somewhat of a static pose, but I hoped I could build a mood as I fleshed it out. That just didn't happen. It's stale. His right arm adds nothing to the composition, and the expression is blank.
This has more drama. The pose and eye contact engage the audience, and the foreshortening adds depth despite the lack of background. That thumbs's clunky, but the helmet lighting came out pretty well.The fabric definition is mild, but for a sketchbook inked doddle, I can live with that.
It knew it was somewhat of a static pose, but I hoped I could build a mood as I fleshed it out. That just didn't happen. It's stale. His right arm adds nothing to the composition, and the expression is blank.
This has more drama. The pose and eye contact engage the audience, and the foreshortening adds depth despite the lack of background. That thumbs's clunky, but the helmet lighting came out pretty well.The fabric definition is mild, but for a sketchbook inked doddle, I can live with that.
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